Located in the lobby of Winterthur Museum in Delaware is a 3-foot high wooden eagle sculpture with a 14-foot wingspan.
An artistically formed rock sculpture creates a natural anchor for a landscape image at Roan Mountain Bald
Fallen logs with branches create natural sculptures on a flowing river
Though they look real, these are sculptures of turtles on a platform on the pond at Brookgreen Gardens, South Carolina
A sculpture comprised of three over-life-size, nude female figures seated within polished bronze frames – “The Saint James Triad” by Richard McDermott Miller at Brookgreen Gardens, South Carolina
“The Torchbearer” by Anna Hyatt Huntington at Brookgreen Gardens, South Carolina – a sculpture of a rider bearing a torch on a galloping horse.
An artistic sculpture with a woman in pose with three birds at Brookgreen Gardens, South Carolina
A sculpture of mother and baby birds at Brookgreen Gardens, South Carolina
A sculpture of two Native Americans with spears and other weapons in the act of tracking or watching an unseen bison at Brookgreen Gardens, South Carolina
Among its varied collection of sculptures at Brookgreen Gardens, there are quite a few of animals.
“Lioness and Cub” by Hope Yandell – A female lion with her young cub. The lioness is standing, front left paw raised slightly. Her head is turned in the direction of her cub. They are positioned in a natural setting on a rock formation over a small pool.
“Brown Bears” by Anna Hyatt Huntington is a bronze sculpture of a group of three bears
“Joy of Motherhood” by Willard Hirsch at Brookgreen Gardens, South Carolina.
This sculpture depicts the spirit of joy of life and, in particular, the physical and spiritual bonds between mother and child. Reflecting the sculptor’s personal belief that the joys of motherhood far outweigh the sorrows, this sculpture depicts a young mother at play with her child.
Brookgreen Gardens contains the largest and most comprehensive collection of American figurative sculpture in the country, displayed in a stunning garden setting. Sculptures in the middle of ponds and fountains create neat reflections.
Brookgreen Gardens is a sculpture garden and wildlife preserve, located just south of Murrells Inlet, in South Carolina. Though the gardens were somewhat dormant during our visit, the sculptures were fabulous.
“Fighting Stallions” by Anna Hyatt Huntington at the entrance to Brookgreen Gardens. Two horses, rearing on their hind legs, are striking each other with their front hooves and biting. One has sunk his teeth into the other’s neck as it throws back its head in pain. Their muscles are taut with struggle, and manes and tails disordered in combat. One nude rider clings desperately to a horse’s back, while the other, thrown on the ground, protects his head with an upthrown arm.
This prolific sculptor made work in wood, stone, and bronze. As a student in London, Henry Moore absorbed the influences around him, both the work of his contemporaries and the pre-Columbian and ancient art in the British Museum. It is easy to see a connection between Large Standing Figure and ancient art. This sculpture is displayed at the North Carolina Museum of Art in Raleigh.
Known for his figurative sculptures that use Dutch wax cloth (popular throughout Africa) to explore cultural identity, Yinka Shonibare here, at the North Carolina Museum of Art, Raleigh, transforms a wisp of the same fabric into a playfully monumental sculpture that captures the wind like a giant sail.
Askew, at North Carolina Museum of Art, Raleigh, is part of a series of works that Roxy Paine describes as “dendroids,” treelike forms with elaborate branching structures. His sculptures are inspired by real trees but never truthful depictions of actual species. The stainless steel surfaces of the work change dramatically with the light.
The dynamic geometry, powerful size (26′ 7″ h x 30′ w x 15′ d), and expansive scale of Mark di Suvero’s work reflect his creative process in the No Fuss sculpture at North Carolina Museum of Art, Raleigh
Placed at the threshold between the field and forest at North Carolina Museum of Art, Raleigh, Crossroads/Trickster I marks a transitional point from public to private, manmade to natural, open to enclosed. The sculpture by Martha Jackson-Jarvis combines brightly colored Italian glass tiles, carnelian stones, and shattered bricks (recycled from the Polk youth correctional facility, located on this property from 1920 to 1997).
This sculpture at North Carolina Museum of Art, Raleigh was created on site by North Carolina artist Thomas Sayre. The title Gyre refers to a circular or spiraling motion—gyration—and a spiraling shape, like a vortex or tornado.
The stone for the BAPS Temple in Atlanta, Georgia was shipped piece by piece from India, where craftsmen had sculptured it into more than 500 designs including rosettes, leaves, feathers and lacy geometric patterns. The thousands of sections, ranging from five ounces to five tons, each with its own bar code, have been assembled like a giant jigsaw puzzle based on instructions for religious buildings written into scripture thousands of years old.